Two of a Perfect Trio Tour & Progressive Voices

20 09 2011

The Adrian Belew Power Trio and Tony Levin’s Stick Men made sure there was no roof left atop Atlanta’s Variety Theater on Monday night as the groups started a double-bill tour that saw them merge in the third and final set into a double trio that ate King Crimson material at every meal.

It was a pleasure to be there. My ears have nearly recovered. Thanks to both bands and thanks also to the Variety, which isn’t the prettiest venue in town but it’s wonderfully managed and the acoustics are terrific.

I wrote a quick review for DGMLive and you can read it here. Thanks to Sid Smith, the site’s moderator, for posting it.

By the way, Sid Smith has a pretty great site himself and it’s right here. Out There readers unfamiliar with Postcards From the Yellow Room should eyeball it frequently.

Tony Levin, shown above mesmerizing Atlanta with the Chapman Stick, is blogging the tour. If you want to see want the audience looked like from the stage, and follow the rest of the tour dates, go here.

And speaking of great sites, Out There is hosted also by Progressive Voices, a 1-stop shop for all things progressive. Get the app here and immerse yourself.





Mike Gordon & Stick Men, Live

29 05 2011

Two bassists with muscular, melodic styles who don’t mind improvising in front of an audience. Tony Levin’s a permanent sideman, even in his own band, Stick Men; he’ll soon gravitate to different players and it’ll still sound like he’s the architect. Mike Gordon’s consistent pleasure in playing live with Phish is evident from the fall 2010 tour with his own band.

Here are two fresh and vigorous live performances available as a free  download or to stream. This is music worth buying.

There’s not a duff musician in the bunch and as bands they’re not afraid to stretch out.

Download Mike Gordon, live, 11-16-10, Minneapolis, here. It’s well played jammy rock fusion. Not necessarily in that order. It’s a happy performance that sounds loosely familiar with twists. The mp3 soundboard has enough bass to hold down the bottom. You don’t know most of the songs; it won’t matter. In the best jam band tradition, the party continues if you leave the room and it’s still bubbling when you walk back in and notice the band’s ripping through Alanis Morissette’s Hand in Pocket or Little Feat’s Sailing Shoes. The Any Griffith Show theme has a did-I-really-just-hear-that cameo. It’s not a mood breaker but a mood enhancer. Yes, humor belongs in music if it’s done right. The production is a warehouse-y echo with just enough slapback to make it shimmer. The performance never lags, always leans ahead, and refuses to go flat.

Stream the Stick Men show, or buy a download, here. It’s a night on Stick Men’s 2011 South American tour, a 2-track recording straight from the mixing board.

Pat Mastelotto is predictably rock solid. He was one of King Crimson’s cleanest and leanest drummers. HIs work on the early 2000s Crimson tours is some of the most enjoyable performances that band ever produced.

It’s always a pleasure to hear Tony Levin play bass. Or Stick. Or whatever’s at hand. He brings a willingness to experiment at a solid gait. This Buenos Aires show never drifts too far from Crimson’s shadow. That says much about Tony Levin’s influence on Robert Fripp.

Yes, That’s Indiscipline in Spanish. Nice changeup. The 14+ minutes of Slow Glide sound like early ’80s Talking Heads. That’s a compliment. There is never enough Westernized African-trance rock to go around.

There’s another live Stick Men show to stream here, an audience bootleg from the same South American tour. Monte Video is another crafted and unrestrained performance and the audio quality is just fine.

All these recordings are free to listen to now. Enjoy this embarrassment of riches while driving, or with headphones, or ambiently. The performances are strong enough to eat up all three.